{"id":9403,"date":"2024-09-09T08:24:13","date_gmt":"2024-09-09T12:24:13","guid":{"rendered":"https:\/\/www.cartoonstock.com\/blog\/?p=9403"},"modified":"2025-12-06T10:15:18","modified_gmt":"2025-12-06T15:15:18","slug":"anatomy-of-a-cartoon-psyche-of-the-cartoonist","status":"publish","type":"post","link":"https:\/\/www.cartoonstock.com\/blog\/anatomy-of-a-cartoon-psyche-of-the-cartoonist\/","title":{"rendered":"Anatomy of a Cartoon: Psyche of the Cartoonist"},"content":{"rendered":"

\"Phil
\nCartoon critics Phil Witte and Rex Hesner look behind the gags to debate what makes a cartoon tick. This week our intrepid critics take a look at Desert Island Clich\u00e9<\/span>.<\/em><\/p>\n

Ever wondered about the personality behind the cartoonist\u2019s pen? CartoonStock\u2019s latest sponsored book, <\/span>Funny Stuff: How Great Cartoonists Make Great Cartoons, <\/span><\/i>tackles that question in the chapter, \u201cPsyche of the Cartoonist.\u201d Let\u2019s begin with a fan favorite\u2014Roz Chast.<\/span><\/p>\n

As one of the world\u2019s most beloved cartoonists, Chast has written and spoken extensively about her childhood. Her upbringing as the only child of older, Depression-era parents shaped her view of the world as a scary place. They told her she had two jobs: do well in school and don\u2019t die. Death is the ultimate subject to worry about and the premise of some of her greatest cartoons.<\/span>\"\"<\/a><\/p>\n

BUY THIS CARTOON<\/a><\/p>\n

One of the New Yorker\u2019s most prolific cartoonists for decades, Frank Cotham serves up a steady stream of bad news cartoons. He readily admits, \u201cI\u2019m a \u2018glass is completely empty\u2019 sort of person.\u201d Even the gray and ominous backgrounds in his cartoons convey the message: there\u2019s no hope, but there is humor. <\/span><\/p>\n

\"\"<\/a><\/p>\n

BUY THIS CARTOON<\/a><\/p>\n

George Booth\u2019s rural Missouri upbringing gives a clue to the style of humor: These cartoons are not slickly sophisticated. They are little scenes of folks trying to make sense of the world. Booth peeks into windows and eavesdrops on the telling remarks of a house\u2019s inhabitants. The thin, scratchy line and casual ink wash give his work an appropriately folksy, almost disheveled appearance.<\/span><\/p>\n

\"\"<\/a><\/p>\n

BUY THIS CARTOON<\/a><\/p>\n

At the opposite end of the spectrum from the angry, depressed, and neurotic cartoonists stands Amy Hwang. She depicts a world of relative tranquility, of kitties and coffee cakes, offering a gentle humor that tickles, not slaps. Her cartoons are more like pages from her diary, a glimpse into her daily world.<\/span>\"\"<\/a><\/p>\n

BUY THIS CARTOON<\/a><\/p>\n

The cartoons of Victoria Roberts spring like flowers from the pages of the New Yorker. They brim with a child-like delight in the everyday. Roberts presents a joyful, uncomplicated world, free of cynicism and conflict. The wife may have been inspired by Roberts\u2019 mother, whom she described as \u201ca bit of a diva, a real character.\u201d<\/span><\/p>\n

\"\"<\/a><\/p>\n

BUY THIS CARTOON<\/a><\/p>\n

Edward Steed\u2019s cartoon world teems with psychopaths doing horrible things. His humor goes beyond dark; it is savage. This unassuming Englishman has no peer among his contemporaries in outrageous cartoon humor. As Steed has said, \u201cEverything\u2019s kind of a glimpse of my subconscious. At times it\u2019s quite revealing, and I do hesitate sometimes.\u201d<\/span>\"\"<\/a><\/p>\n

BUY THIS CARTOON<\/a><\/p>\n

If you\u2019d like to see more great cartoons and commentary, check out the rest of <\/span>Funny Stuff. <\/span><\/i>It\u2019s packed with over 100 cartoons and never-before-seen illustrations. <\/span>Funny Stuff <\/span><\/i>pulls back the curtain on this beloved art form with entertaining analysis\u2014always with a light touch.<\/span><\/p>\n

\"\"<\/p>\n

Available on\u00a0<\/span>Amazon<\/span><\/a>, <\/span>Barnes & Noble<\/span><\/a>, <\/span>or wherever books are sold.<\/span><\/p>\n

“a must for people who love the single-panel cartoon form and a great primer for aspiring cartoonists”<\/span><\/p>\n

– <\/span>Bob Mankoff<\/b>, former cartoon editor of <\/span>The New Yorker<\/span><\/i><\/p>\n

“delightful, engaging, and illuminating”<\/span><\/i><\/p>\n

– <\/span>Roz Chast<\/b>, <\/span>New Yorker<\/span><\/i> cartoonist and best-selling author<\/span><\/p>\n

“a must-have for cartoon fans”<\/span><\/i><\/p>\n

– <\/span>Dan Piraro<\/b>, creator of “Bizarro”<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Cartoon critics Phil Witte and Rex Hesner look behind the gags to debate what makes a cartoon tick. This week our intrepid critics take a look at Desert Island Clich\u00e9. Ever wondered about the personality behind the cartoonist\u2019s pen? CartoonStock\u2019s latest sponsored book, Funny Stuff: How Great Cartoonists Make Great Cartoons, tackles that question in…
Continue Reading…<\/a><\/p>\n","protected":false},"author":8,"featured_media":9409,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[36],"tags":[],"class_list":{"0":"post-9403","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-anatomy-of-a-cartoon","8":"entry"},"acf":[],"yoast_head":"\nAnatomy of a Cartoon: Psyche of the Cartoonist – The CartoonStock.com Blog<\/title>\n<meta name=\"description\" content=\"Anatomy of a Cartoon: Psyche of the Cartoonist – CartoonStock.com\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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