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Recent Posts

“Bigfoot and Reporters” Caption Contest Commentary with Lawrence Wood

February 9, 2026 by Lawrence Wood

Cartoonist Bill Whitehead helped judge last month’s contest, which featured his drawing of a creature who looks like Bigfoot talking to a group of reporters, one of whom has a camera, in the woods. The creature’s nose is unusually large and he looks weary, as though he’s tired of the reporters’ questions. Bill’s original caption…
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CartoonStock image by Cartoonist Jim Sizemore. A wealthy man is sitting with a thought bubble that reads "I Profit therefore I am"

Understanding Royalties: What International Cartoonists Actually Earn

February 5, 2026 by CartoonStock

License this image The Income Model That Keeps Working When cartoonists ask about royalties, they’re asking about something genuinely different from most creative income: work that can generate revenue multiple times, across different markets, without additional effort after the initial creation. That’s the core advantage of cartoon licensing royalties. Create the cartoon once, and it…
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CartoonStock image by cartoonist Robert Leighton. An artist has coned off his blank canvas and needs to stretch while somebody asks him why he puts these restrictions on himself

Why Culturally Specific Cartoons Sell Better Than You Think

February 2, 2026 by CartoonStock

License this image The Specificity Paradox Here’s what most cartoonists get backwards: they think “niche” means “limited.” You’ve probably second-guessed a cartoon because it referenced something too local, too specific, too yours. Maybe it was a workplace dynamic unique to your country, a social situation that wouldn’t translate elsewhere, or humor rooted in cultural context…
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CartoonStock image by cartoonist Bruce Robinson. A dog says meow to a cat and other dogs comment about being bilingual

How Multilingual Licensing Expands Your Cartoon’s Reach

January 29, 2026 by CartoonStock

The Language Question One of the quiet worries international cartoonists carry into licensing is language. Do cartoons need to be in English to sell? Will captions limit where work can be used? Does working in a non-English language shrink the market before it even begins? Multilingual licensing exists precisely to remove those constraints. However, it…
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CartoonStock image by cartoonist Elmer Parolini. A bride and groom driving away with a sign reading "in it for the long haul" on their trunk

Will Your Cartoons Sell? Why Diversity Drives Long-Tail Licensing

January 23, 2026 by CartoonStock

License this image The Question Every Cartoonist Asks It’s the question almost every cartoonist asks before submitting their work for licensing: Will my cartoons actually sell? It’s also the hardest question to answer honestly. In fact, the most truthful answer isn’t a prediction—it’s an explanation of how licensing works, and why uncertainty is not a…
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Recent Posts

  • “No Rest for the Wicked” Caption Contest Commentary with Lawrence Wood
  • International Cartoon Licensing: A Complete Guide for Artists Worldwide
  • Licensing as a Long-Term Strategy for International Cartoonists
  • Preparing Your Cartoons for International Licensing Submission
  • Copyright Protection for International Cartoon Artists
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