In Charles Barsotti’s drawing, a large bag of money relaxes on a tropical island with a drink in one hand and a cellphone in the other. He’s wearing sunglasses, smiling, and saying something into the phone. My first idea—“Money talking”—completely ignored the setting, and the setting’s always important. Tropical resorts like the Cayman Islands are…
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Caption Contest Commentary
“No Rest for the Wicked” Caption Contest Commentary with Lawrence Wood
The New Cash-Prize Caption Contest.
So you think you're funny? We do, too!! Each month we're offering a cash prize of $1,000, $500 to first place and 5 runners-up prizes of $100 each. What's the catch, you ask? Well, you have to pay $5 to play. But with a chance at up to 500 smackeroos, it's well worth it!
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Recent Posts
“Moneybag” Caption Contest Commentary with Lawrence Wood
Anatomy of a Cartoon: Mother’s Day
Cartoon critics Phil Witte and Rex Hesner look behind gags to debate what makes a cartoon tick. This week our intrepid critics examine cartoons about dear old Mom. Mother’s Day—a day dedicated to the person we love most … or at least the person we have the strongest feelings toward. Naturally, many cartoons feature mothers….
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Interview with Christopher Weyant, New Yorker Cartoonist
A few weeks ago I had the opportunity to site down with cartoonist and illustrator Christopher Weyant. We talked about his new book, his cartoon process, writing with his wife and his Neiman Fellowship at Harvard in 2014. With his latest book We are (Not) Friends launching today it seemed like the perfect time to…
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“Treehouse” Caption Contest Commentary with Lawrence Wood
Tom Toro has drawn two kids in a tree house. On the opposite side of the tree is a branch supporting a cubicle where a man is sitting at his desk and conducting business on the telephone. One of the kids is looking at this man, and the other is speaking and presumably explaining why…
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“Bad Dog” Caption Contest Commentary with Lawrence Wood
In Lila Ash’s drawing, a young woman wearing sweatpants with the word PLINK emblazoned across the bottom is addressing (questioning? scolding?) a dog who’s looking down, as if shamed. Behind the dog are the outstretched legs of a murder victim. He’s lying in the doorway in a pool of blood, and there’s a bloody handprint…
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“Executioner and mom” Caption Contest Commentary with Lawrence Wood
Dr. Benjamin Schwartz has drawn a shirtless and hooded executioner introducing a kindly old woman (also wearing a hood) to his next victim: a prisoner who’s on his knees with his hands tied behind his back and his head above a chopping block. The executioner—whose expression, from what we can see, is not very threatening—is…
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