That’s right, licensing for New Yorker cartoonist Bob Mankoff is exclusively available on CartoonStock! In his twenty years as cartoon editor for The New Yorker, Bob Mankoff pored over literally thousands of submissions; analyzing, critiquing, and selecting each cartoon, he mentored cartoonists, new and old, towards the laughs readers expect. In 2005, he helped start…
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Recent Posts
“50 dollar bill” Caption Contest Commentary with Lawrence Wood
In J.B. Handlesman’s cartoon, a bartender is addressing Ulysses S. Grant, whose face appears on a huge $50 bill. Ron Chernow, who wrote the Alexander Hamilton biography that Lin-Manuel Miranda turned into a smash Broadway musical, recently wrote a biography of Ulysses Grant, so I initially imagined the bartender speculating about Grant’s chances of becoming…
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Anatomy of a Cartoon: The Eccentric Cartoonists
Cartoon critics Phil Witte and Rex Hesner look behind gags to debate what makes a cartoon tick. This week our intrepid critics take a look at the more eccentric among us. Single-panel cartoons are executed in an astonishing range of styles; however, most share artistic conventions—such as perspective—that render the image intelligible to the reader….
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“Robber and Therapist” Caption Contest Commentary with Lawrence Wood
Charles Barsotti has drawn a robber on a therapist’s couch. Next to him is a huge bag of stolen money, and the therapist is sitting in a chair. The robber/patient is talking happily. There’s always a temptation when captioning a Barsotti cartoon to reference his classic drawing of a piece of pasta saying into the…
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“Cowboy” Caption Contest Commentary with Lawrence Wood
In Kim Warp’s drawing, a cowboy on a horse is consulting a book and addressing a fallen cowboy he’s lassoed around the ankles. I first thought about the trope—common in old westerns—of dragging a cowboy behind a horse. In Warp’s drawing, of course, the lassoed cowboy is in front of the horse. Maybe, then, the…
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